Volem rien foutre al païs

Faced with grow­ing job inse­cu­ri­ty and the con­sumer soci­ety, some peo­ple are choos­ing to break away from it and lead a more autonomous life, based on cho­sen activ­i­ty and sol­i­dar­i­ty, refus­ing both exploita­tion and assistance. 

SYNOPSIS

In this economic war promised years ago and marching like a steamroller, is there any left imagination to resist?
Told to choose between the crumbs of an insecure work and the slim aims lavished by the system, some people desert the consumer society to recover their own life.
"Neither exploitation, neither social welfare" proclaim them. They chose another way, the one from autonomy, chosen activity and interdependent practices...

Theme(s) : , Ecology, Economy, Work

DIRECTOR

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Christophe Coello

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Through his films, Christophe Coel­lo bears wit­ness to var­i­ous sit­u­a­tions of resis­tance in South Amer­i­ca, for­got­ten or ignored by the mass media (Chili, dans l’om­bre du jaguar, Tu n’es pas mort avec toi, Mari Chi Weu, Retour en terre mapuche).

In France, he has worked with Pierre Car­les and Stéphane Goxe on a crit­i­cal project focus­ing on the issue of work. Togeth­er, they pro­duced the doc­u­men­taries Atten­tion! Dan­ger Tra­vail and Volem rien foutre al païs. The web­doc­u­men­tary Petites His­toires Pop­u­laires is an oppor­tu­ni­ty for him to share his par­tic­u­lar view of Per­pig­nan, where he grew up.

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Pierre Carles

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After study­ing socio-cul­tur­al ani­ma­tion and jour­nal­ism in Bor­deaux, Pierre Car­les start­ed out as a cam­era­man at France 3, then as a colum­nist on Antenne 2. He made his first doc­u­men­taries for Strip-Tease in 1994, before sign­ing Pas vu, pas pris in 1998, a fea­ture-length film on cen­sor­ship in the media. A dozen of his films have since been the­atri­cal­ly dis­trib­uted, includ­ing La soci­olo­gie est un sport de com­bat (2001) and Le Rond-point de la colère (2019). His lat­est film, Guéril­la des FARC, l’avenir a une his­toire, was released in 2024 after ten years of shooting.

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Stéphane Goxe

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Stéphane Goxe, born in 1969, is a direc­tor of com­mit­ted doc­u­men­taries, often in col­lab­o­ra­tion with Christophe Coel­lo.
In 1995, Accords de Guerre explored musi­cal cre­ation as a form of resis­tance among young peo­ple in Bosnia.
With Chili, dans l’om­bre du jaguar (1998), he reveals the social frac­tures hid­den behind Chile’s eco­nom­ic show­case.
In 1999, Tu n’es pas mort avec toi (You Did­n’t Die with You) gave a voice to the chil­dren of Argenti­na’s long-silenced dis­ap­peared.
In 2000, his film Mari chi weu, bears wit­ness to the strug­gle of the Mapuche Indi­ans of Chile, a peo­ple whose very exis­tence is direct­ly threat­ened by an eco­nom­ic ratio­nale that encour­ages the plun­der­ing of nat­ur­al resources in defi­ance of all human and eco­log­i­cal considerations?

CREDITS

Director | , Christophe Coello, Pierre Carles, Stéphane Goxe
Year | , 2007
Country | , France
Duration | 107 minutes
Original language | , French
Subtitles |
Formats |
Image | Igor Ochronowicz
Sound | Marie-Pierre Thomat
Sound mixing | Luc Filaretos
Editing | Gilles Bour
Screenplay | Christophe Coello, Pierre Carles, Stéphane Goxe

CAREER

2023 • Images de justice • Rennes (France) • Sélection
2018 • DOC-Cévennes - Festival International du Documentaire en Cévennes • Lasalle (France) • Séance spéciale
2006 • Traces de Vies • Clermont-Ferrand (France) • Avant-première

MATERIAL

Affiche_Volem_rien_foutre_al_pai_s7140

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