SYNOPSIS
In the aftermath of the Cold War, where imperial powers competed with violence, the main danger of anarchism was no longer to disappear. It was to become alienated. For in the face of a globalist system that staged the appearances of its own critique, their emancipatory slogans and even their figures often ended up being recuperated. In the West, anarchism has once again become synonymous with disorder and chaos. Banned, prosecuted, criminalized, libertarians have had no other choice, from affinity groups to decentralized movements, from digital resistance to generalized indignation, than to go forward masked. But, at the heart of the great social mobilizations, anarchism is always present, without always saying its name. And in this postmodernity that wanted to be the end of times, it is also the one that restarts the great wheel of our history for at least one turn.
Theme(s) :
DIRECTOR
Tancrède Ramonet
SEE COMPLETE PROFILETancrède Ramonet is an author and producer of documentaries and a singer in the group ACHAB. With Patrick Barbéris, he co-wrote in 2006 the documentary “Les ombres du bagne” (52′),
broadcast on Arte and France Ô. He is also co-author of the films “Au nom de la race et de la science”, Strasbourg 1941–1944 by Sonia Rolley and Axel Ramonet (production “Temps noir” for France 3) and L 611–1 by Jean-Yves Cauchard.
Graduated in Philosophy (Sorbonne), in Economics (Paris-Dauphine), in Documentary Creation (Havana) and in International Production (EURODOC), as a producer, he founded with Martin Laurent and Axel Ramonet the independent production company Temps noir with which he directed the first two parts of “Ni Dieu ni maître”, une histoire de l’anarchisme (Neither God nor Master, a history of anarchism) in 2016 as well as “Che Guevara, naissance d’un myth” in 2017. As a producer, he produces films around social, historical, artistic and cultural issues, including “Afrique(s), une autre histoire du XXe siècle” by Elikia M’Bokolo, Philippe Sainteny and Alain Ferrari, “Cuba, une odyssée africaine” by Jihan El Tahri or “Cuba, La Révolution et le Monde” that he co-produced with Serge Gordey and Martin Laurent.
CREDITS
MATERIAL
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